Blood, sweat, and editing tears

I’ve been editing the Slaying of the Bull (book 1 of the Tocharian Gospels Series) for four hours a day (after my day job), and much of my weekends for about a month now. The book is coming along, but it’s a tedious ordeal. Those that follow my blog know that I wrote the Slaying of the Bull about ten years ago, and then it just sat as life took hold. The publishing of the Island of Stone energized me to go back to my early work and bring them up to speed for publishing. This reevaluation of my work led to the larger story arc of the Tocharian Gospels Series, which I am still very excited to bring to the world. Although the Slaying of the Bull is a great story, I wrote it a long time ago now, and it needs a heavy editing hand. I’ve developed in my writing craft and style over the last decade, and what is on the page now doesn’t reach my current standard.

What I’m trying to get to is that it is all taking longer than usual, and I’m getting a bit burnt out. My goal is to have it out this month, but at what cost? It is getting harder to stay engaged with the writing, especially when it is beautiful outside, and things are inevitably going to slip through. I am getting towards the end of the book, but I am pretty sure I will need to go through it again.

No, I don’t want this post to turn into complaining! I will get there, and the story will benefit from my blood, sweat, and tears! But if you have any suggestions on how to stay energized and engaged, please send me a note below (or here)!

Cheers!


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Published by scottatirrell

Scott Austin Tirrell loves dark speculative fiction, conjuring isolated worlds where ancient mysteries, the raw power of nature, and the paranormal entwine. His work is steeped in the arcane, drawing from the forgotten corners of history and the unsettling grasp of the supernatural. With a style shaped by Clive Barker, Frank Herbert, and Joe Abercrombie, he crafts narratives that pull ordinary, flawed souls into the extraordinary, where reality frays, shadows lengthen, and the unknown whispers from the void. He has self-published eight books, with Koen set to come out in 2025 under Grendel Press. Residing in Boston with his wife, he draws inspiration from the region’s haunted past and spectral folklore. Scott invites readers to step beyond the veil and into his worlds, where every tale descends into the deeper, darker truths of the human condition.

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