Self‑Publishing Isn’t a Fairytale — It’s a Fight!

If you think you can self‑publish a book and watch it take off on organic traffic alone like you read about with the self-publishing superstars, here’s a wake‑up call: you can’t. Writing a book is a lot of work, but hitting “publish” is not the victory parade most people imagine. It isn’t the moment the crowd gathers, or when the world suddenly notices your brilliance. It’s the starting pistol in a marathon you’ll be running with no finish line in sight- perhaps you’ll run forever. If you don’t keep moving, you’ll fall behind. If you pause, even for a moment, you disappear.

If you’re lucky, that first book will get the sympathy buys from friends and family, and you’ll enjoy a little bump, but once you burn through your network, the fall will be hard. By the second book, you’ll be even more shocked. You’ve lost the novelty factor, and there’s a good chance that first book wasn’t your best work. You will know this by the time you finish the second one. You’ll realize you just haven’t slogged in the trenches enough. You had the typos and formatting errors, and when you felt that first fall in sales, you panicked and perhaps nudged too much. Suddenly, your inner circle is weary of buying your next book. It tanks hard.

Self‑publishing is seductive in its promise of freedom. No gatekeepers, no agents, no endless waiting for approval. No years of rejection, waiting, edits, rejections, rewrites, delays, stress, and then silence. Self-publishing is just you and your story, unleashed into the world exactly as you envisioned it. But the flip side of that freedom is the crushing reality that no one is waiting for your book. Readers aren’t refreshing their browsers, desperate to see what you’ve released. The world is drowning in content, and your book is just a drop in an ocean. If you want anyone to notice it, you have to splash. Loudly. Constantly. Every single day. Sometimes the splashes aren’t heard, the yelps too, but you have to keep pushing or you’ll drown.

The truth about launch day is this: it’s never the fairytale you imagine. Writers spend months, sometimes years, laboring over their manuscripts, polishing every sentence, agonizing over edits, investing in covers, formatting, and marketing plans. You mark the date on the calendar, circle it in red, and picture the floodgates opening the moment the book goes live. But when that day arrives, unless you’ve already been building momentum, the flood is usually more like a trickle. A few supportive friends might buy it. A couple of strangers might stumble across it. And then? Silence. Deafening silence.

That silence is the killer of indie dreams. It’s the moment where so many writers falter, thinking they’ve failed, wondering why no one cares, questioning whether the whole effort was worth it. What most don’t realize is that silence is normal. It doesn’t mean your book is bad. It doesn’t mean you aren’t cut out for this. It means you’re starting from zero, and zero requires noise, effort, and relentless persistence to climb out of.

And here’s the part no one likes to admit: the hustle never ends. Publishing a book is not a one‑time event. It’s a daily practice. You cannot afford to vanish. If you stop posting, stop networking, stop promoting, your book sinks to the bottom of the ocean. Algorithms don’t care about your craft or your passion. They care about activity. They reward visibility. And they punish neglect with invisibility. You may feel exhausted talking about your book again and again, but that repetition is what keeps it alive.

Being a self‑published author is not just about being a writer. It’s about wearing every hat and carrying every burden. You are the author, yes, but also the marketer, the designer, the advertiser, the publicist, the accountant, and the customer service representative. You’re the one answering emails from readers, updating files when typos slip through, researching ad platforms, scheduling posts, and trying to decipher why your book isn’t showing up in the categories you selected. There’s no team to lean on unless you build it yourself, and even then, you’re the one directing traffic.

You’ll find yourself doing things you never expected. Learning SEO to get your book to appear in searches. Running ads on platforms like Amazon or Facebook and watching money evaporate with little return, then tweaking endlessly until something clicks. Spending hours creating social media posts that only get a handful of likes. Writing newsletters that maybe twenty people open, if you’re lucky. It’s easy to feel like you’re shouting into the void, and in many ways, you are. But here’s the thing about the void: sometimes it shouts back. Not always, not often, but enough to remind you why you started.

The emotional toll of this grind is real. You’ll watch other authors—sometimes with worse books, if you’re honest—pull in huge numbers because they cracked the marketing code or got lucky with timing. You’ll compare your slow trickle of sales to their flood and wonder what you’re doing wrong. The temptation to quit will gnaw at you. But quitting is the only real failure in this game. Everything else—low sales, rejections, silence—is just part of the process.

Rejection becomes a constant companion, especially if you try to go the traditional route of querying for an agent- hundreds of rejections saying it is not quite what they are looking for, but with no feedback to discover what they are looking for. Even if you bypass traditional publishing entirely, you’ll still face rejection. Reviewers will pass. Bloggers will ignore your requests. Readers will sample your book and put it down without finishing. Sometimes they’ll leave a one‑star review that guts you with its casual cruelty. That sting doesn’t go away, but you learn to live with it. You learn to filter the noise and keep moving. Because the truth is, the more books you write, the more chances you create for success.

Momentum is everything, and momentum is fragile. It’s built slowly, brick by brick, day after day, and it can crumble overnight if you step away. That doesn’t mean you can’t rest—you’re human, not a machine—but it does mean that you need to plan for those moments and work harder when you return. Self‑publishing is not a sprint; it’s an endurance event. You have to pace yourself, but you can never stop moving forward.

The hardest part, for most indie authors, is the loneliness. Traditional publishing, for all its frustrations, comes with a built‑in support system. Editors, publicists, agents—people who are invested in your success. Indie publishing is solitary. Unless you deliberately build a network of fellow writers, you’ll often feel like you’re carrying the weight alone. That isolation can amplify every frustration. Which is why community—online writing groups, critique partners, even a small circle of supportive friends—isn’t just helpful, it’s necessary.

The irony of indie publishing is that the thing we love most—writing—is often the thing we spend the least time doing once the book is out. Promotion eats hours. Marketing devours energy. Tracking sales becomes an obsession. You’ll find yourself staring at spreadsheets instead of sentences, learning ad metrics instead of worldbuilding, posting content instead of creating chapters. It’s a constant tug‑of‑war between the craft that feeds your soul and the hustle that feeds your career. Balancing the two is one of the greatest challenges of the indie path.

And yet, for all of this—despite the grind, the silence, the rejection, the exhaustion—there’s something undeniably powerful about being an indie author. You own your work. You call the shots. You answer to no one but yourself. Every sale, no matter how small, is a direct connection between you and a reader who chose your story. That autonomy, that raw connection, is what keeps so many of us pushing forward.

The choice, in the end, is simple. Hustle, or disappear. Keep showing up, even when it feels pointless, or let your book fade into the endless sea of forgotten titles. The ones who succeed aren’t always the most talented, or even the most well‑prepared. They’re the ones who refused to quit, who kept talking about their work long after everyone else stopped listening, who built brick by brick until the foundation was strong enough to stand.

So if you’re thinking of self‑publishing, go in with your eyes open. Don’t expect luck to carry you. Don’t expect launch day to change your life. Expect the grind. Expect the silence. Expect the moments of despair where you wonder why you ever started. And then, in those moments, remember that persistence is your greatest weapon. Disappearing is easy. Showing up every day is hard. But if you can keep showing up, you can carve out a place for yourself. You may never reach the bestseller lists, but you’ll find your small group of fans. And in a world as loud and crowded as this one, carving out a place of your own is nothing short of victory. And that little group, they care, they listen, they beg you to continue, they make it all worth it.

Cheers!


Discover more from Author Scott Austin Tirrell

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Published by scottatirrell

Scott Austin Tirrell loves dark speculative fiction, conjuring isolated worlds where ancient mysteries, the raw power of nature, and the paranormal entwine. His work is steeped in the arcane, drawing from the forgotten corners of history and the unsettling grasp of the supernatural. With a style shaped by Clive Barker, Frank Herbert, and Joe Abercrombie, he crafts narratives that pull ordinary, flawed souls into the extraordinary, where reality frays, shadows lengthen, and the unknown whispers from the void. He has self-published eight books, with Koen set to come out in 2025 under Grendel Press. Residing in Boston with his wife, he draws inspiration from the region’s haunted past and spectral folklore. Scott invites readers to step beyond the veil and into his worlds, where every tale descends into the deeper, darker truths of the human condition.

18 thoughts on “Self‑Publishing Isn’t a Fairytale — It’s a Fight!

  1. I’ve been there, Scott. I’m starting to think that finding a community of fellow authors is more important than courting the algorithms. There is a large group of indie authors on WordPress who read and review each other’s books, not in a “you do mine and I’ll do yours” way (which is unethical, among other things), but in an organic way. Some bloggers regularly review books. Others participate in blog tours for a fellow author’s new book. If see a book recommended by a number of congenial bloggers, I buy a copy. I post some sort of review for almost every book I read on Goodreads (which isn’t perfect, but fairly popular). I follow dozens of blogs, read posts, and often comment. I didn’t do that until I had been blogging for several years, after which I saw a significant uptick in visits and comments on my blog. Yes, it does take time to do all this blog stuff, but I think it’s more satisfying and fun than fretting over SEO.

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  2. That’s why I stick to poetry. Twenty minutes and I’m done for the day. Send it off and if it gets selected by an editor it becomes their problem. I admire your talent and dedication, but wouldn’t want to swap places. 🙂

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  3. The publishing houses create and maintain a business by _restricting_ supply. They might feel they are protecting quality but what they’re really protecting is profit. Amazon and the like have a different model for profit; they publish anything but cream a little off the top. They are like a casino: the house always wins. So the indie author has to choose between rejection (based only on projected profit) or submersion in the tsunami of ‘also ran’ outputs. Yeah … No fairy tale. (Or maybe the one where the dragon is an evil demon and eats the princess as well.)

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    1. Yes, every book is a fork in the road, but both paths are bumpy;) I’m going through the traditional publishing route now with a small publisher, and it is far from the pavement, too. My new motto is, “shut up and write.” It helps keep me from getting distracted with the frustrations.

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