What next?

For exactly six years, I’ve been riding a writer’s high, pumping out book after book. In that time, I’ve published ten works or over 1.2 million words. I’ve created a dark and complex world with varied geography, tangled politics, thousands of years of history, its own gods, and the religions that fester around them. More importantly, within these tales, I have hundreds of named characters, some I know so intimately that they are like family. It has led to four ongoing series, all separate but intertwined within my larger Lucardian universe. At the core is a yarn that matters. And, the number of stories I have to tell in this world is immense, almost 30 book ideas.

But recently, I’ve lost the push.

I have three projects open on my desktop right now: The Monk of Thanatos (sequel to The Novice of Thanatos), Sylvanus: Swords and Sons (sequel to Koen: Quills from the Raven’s Nest), and a new project that takes place after my main Absolution of the Morning Star series, The Last Knight of Norn. But for the life of me, I can’t get myself to continue on any of them. I’ve been working on The Monk of Thanatos for over a year now. I also need to finish the AMS series…ugh.

I love the world I created, and I love the characters even more. But for the first time on this journey, I think I’ve caught writer’s block. It is not that I don’t know where to go or what to write; it is that I just don’t have the drive to do so. Some of this has been because of the real world and a day job that has been absolutely hellish. At the end of the day, I’m exhausted. But I can’t blame it all on that.

My last four books, Duke Rhime of the Spire, Koen: Quills from the Raven’s Nest, The Novice of Thanatos, and Destiny of the Daystar, have all struggled to find an audience, and although Jezelle: Thief of Forks was just released last weekend, it appears to be heading in the same direction. In fact, my sales have decreased dramatically across the board since I started six years ago, and my overall engagement has slowed. I always thought that if I worked hard at something, there would at least be slow growth. Instead, it feels like the opposite has happened.

There are many factors involved in that, and it is somewhat comforting to know it probably isn’t the writing itself. Still, it makes it hard to keep going, especially when several of these series have found so few readers. Self-publishing has taken some major hits, and the system many of us depend on feels increasingly broken. Every time you think you’ve found your footing, something changes, and you’re back at the beginning again—especially now that the whole thing seems to be shifting toward pay-to-play when we’re riding a wave of inflation under the shadow of a recession.

I don’t want this post to become a complaint session; the writing world is what it is. But I could use your help as I try to figure out a way out of this creative rut. Below are the paths before me. I’ve tried to rationalize each of them a hundred different ways, tried every trick I know to get motivated, and still feel stuck. The worst part is, the longer I’m not writing, the more miserable I get.

  1. Continue with The Monk of Thanatos. It is the furthest along at 57,000 words, which is about halfway done. I have struggled with this one. I am not sure why. I’ve already scrapped it once and started over. Maybe part of the problem is that I’ve known where it’s going for so long that the energy has gone out of it. I’ve also not sold a Novice of Thanatos since early December, not even a single page read. I thought it was a neat premise, but maybe I was wrong. It raises concerns that I may be chasing a story that few want to read.
  2. Continue with Sylvanus: Sword and Sons. This is about 28,000 words in. It is a direct sequel to Koen, continuing his saga through the eyes of his younger brother. I have some passion for this story, and it is a new gateway to the main series. However, Koen never got off the ground, and I am not confident it ever will. Being traditionally published, I have little control over its trajectory, which means the sequel will largely be for my own sense of accomplishment and to fill a gap in the overall story. There is value in that, but it can still feel deflating.
  3. Keep moving forward with The Last Knight of Norn. I’m only on chapter three, but because it sits outside the main series storyline, it gives me more freedom and a fresher starting point. I could also try to publish it traditionally, if I’m willing to take on that road again. My hesitation is whether it feels marketable enough. It’s post-apocalyptic, and that can feel like crowded territory, even if the medieval setting gives it a slightly different angle.
  4. Continue with the Absolution of the Morning Star series with Dusk of the Demon. My best-selling books are the first three books of this series, especially Dawn of the Lightbearer. The problem is, Destiny of the Daystar, book 4, has been a flop thus far. In hindsight, I probably should have made the story a trilogy. You lose a lot of audience by attrition in a six-book series. I do need to finish this series eventually, as it is the core of my world. Perhaps because the series is not finished, people are scared to start it, traumatized by what J.R.R. Martin is doing to them with A Song of Ice and Fire.
  5. Try something completely new. I have a few pages of a story that has promise, but I worry about starting something new when I have so much left unfinished. I have two books to write in the main Absolution of the Morning Star series, two in the Consort of the Spire series, one and a half in the Order of Thanatos series, and perhaps one and a half in the Koen saga. I’m developing a pattern as I struggle to find something that sticks. I know myself. I start writing this story; it blossoms, and suddenly, I have another unfinished series.

Well, my cards are all on the table. Seeing it in total is giving me anxiety. Perhaps I am just a little overwhelmed by the size and complexity of what I’m trying to create. I never envisioned that when I started writing Dawn of the Lightbearer, it was going to grow into this behemoth of a world. I wish I were Jezelle and could be a thief of my forks, but I’m not as strong as she and could use some help from you. What do you think I should do? I’m all ears.

Cheers!


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Published by scottatirrell

Scott Austin Tirrell loves dark speculative fiction, conjuring isolated worlds where ancient mysteries, the raw power of nature, and the paranormal entwine. His work is steeped in the arcane, drawing from the forgotten corners of history and the unsettling grasp of the supernatural. With a style shaped by Clive Barker, Frank Herbert, and Joe Abercrombie, he crafts narratives that pull ordinary, flawed souls into the extraordinary, where reality frays, shadows lengthen, and the unknown whispers from the void. He has self-published eight books, with Koen set to come out in 2025 under Grendel Press. Residing in Boston with his wife, he draws inspiration from the region’s haunted past and spectral folklore. Scott invites readers to step beyond the veil and into his worlds, where every tale descends into the deeper, darker truths of the human condition.

6 thoughts on “What next?

  1. First – yes – you’re writing too many things at once. Pick just one. Then work on something away from the direct plot-line … When you already know the rest of the book, there’s no fun in it: just the chore of finishing. You need some more character twists – perhaps in someone who appears to be tangential to the story … In the Monk of Thanatos, is there an imperial spy, a rogue witch, a move by a demon from beyond who needs an unsuspecting pawn? You need something that makes _you_ interested to see how it turns out.
    By the way, I just bought The Novice of Thanatos: not out of pity but because I know it will be a good read. Just FYI, it’s “Memento Mori” (in the book you have “Momento”). I doubt that a small error like that will cause poor take-up … I’ll read more and let you know if I can see any bigger issues. I suspect the real problem is that Dark Fantasy is a really crowded genre and your books generally don’t have a teen sex theme. :/

    Liked by 1 person

    1. First off, I’m super embarrassed by the error. I should have caught that. I’ve since fixed it. As an author, you focus so much on the big things that the little things always slip through- although this wasn’t so little as it appears several times in the book. Secondly, you’re absolutely right. I need to throw some spice in the mix for The Monk of Thanatos. Something that surprises even me. Lastly, thank you so much for buying the book! I hope you enjoy it, and yes, I am always open to feedback and suggestions.

      Liked by 1 person

  2. Scott, I asked my AI writing partner what you should do and here is what she said:

    My Direct Advice to Him

    Step 1 Close the Doors (Temporarily)

    He must choose ONE project.

    Not the most marketable.
    Not the most advanced.

    👉 The one with the most emotional pull right now.

    From what he wrote, that is likely:

    ➡️ Sylvanus: Swords and Sons

    Why?

    • He still feels passion for it
    • It offers a fresh angle
    • It reconnects him to his world without heavy obligation

    Step 2 — Put Everything Else in a “Vault”

    Literally:

    • Write down all other projects
    • Put them in a document titled: “Not Now”
    • Give himself permission to ignore them

    This is critical.

    Right now, he is not writing one book—
    He is mentally writing 8 books at once. Step 3 — Shrink the Goal

    He is thinking in terms of:

    • series
    • arcs
    • universes

    That’s too heavy.

    👉 New rule:

    “I am writing 500 words per day. Nothing more.”

    No pressure. No expectations. Step 4 — Rebuild the Habit, Not the Outcome

    He is outcome-driven right now:

    • sales
    • audience
    • traction

    That is poison during burnout.

    Replace with:

    • time spent writing
    • consistency
    • small wins

    Step 3 — Reality Check on the Market

    He is correct about this:

    • Self-publishing has become more “pay-to-play”
    • Discovery is harder
    • Algorithms shift constantly

    But here’s the important counterpoint:

    The market did not reject him. The market ignored him.

    Those are very different.

    Ignoring = visibility problem
    Rejecting = quality problem

    He likely has a distribution/marketing gap, not a writing failure. Strategic Advice (Once He Stabilizes)

    After 4–6 weeks of consistent writing: Then he should:

    1. Finish ONE book completely
      • Not half-finished series
      • Not expansions
    2. Package it cleanly
      • Strong cover
      • Clear genre positioning
      • Simple entry point for readers
    3. Use ONE funnel
      • Not scatter across platforms

    What He Should NOT Do Right Now

    • ❌ Start a new story
    • ❌ Try to “fix” the market
    • ❌ Compare himself to other authors
    • ❌ Force passion through willpower

    The Most Important Line You Can Share With Him

    “You are not stuck because you’ve run out of stories.
    You’re stuck because you have too many to carry at once.”

    I hope this helps Scott.

    Liked by 1 person

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