Flashback Fridays #11

This week’s blast from the past is the first of my posts that actually racked up some views, and people still seem to stumble upon it from time to time. As I have officially embarked on the editing process for Sylvanus: Swords and Suns, I thought it fitting to look back on the editing struggle after going through it a half-dozen more times.

Much of this post still holds up. It is still too expensive for me to get my work professionally edited without going well into the red. The only thing I would mention is that after actually going through a professional editing process with Grendel Press for Koen and still finding things that slipped through once it was published, even with a professional, you won’t catch everything. That isn’t to say the editor I worked with wasn’t fantastic; she was, but we are all human. I’m sure I am not alone in saying I have found even basic typos in mass-published work.

Luckily, the tools available to authors now in the editing realm are much improved, and as I use them at work too, I can get them subsidized. They still don’t catch the subtle things (especially in fiction) and won’t help with developmental edits, but when it comes to copyediting, they’re getting pretty good.

I will say that I look back on the editing process for Koen with warmth. It was actually a lot of fun to have someone go through my work with such a fine-tooth comb and get what I was trying to say, so I will not go so far as to say professional editors aren’t worth it. They most certainly are, and if you can justify the expense, do so. But for now, I must settle again with my old process, tearing apart and rebuilding a book until I learn to hate it a little.

Cheers!


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Published by scottatirrell

Scott Austin Tirrell writes dark fantasy because apparently the real world doesn't contain enough dead people, ruined faiths, and gods with questionable motives. Most of his stories take place in Lucardia, a world with a long memory and a rather serious problem with its dead. Its people have been taught many comforting things about history, religion, power, and what happens when the reaper’s sickle swings. Unfortunately, much of it is wrong. Scott is less interested in heroes than in complicated people who stumble into mysteries they probably should have left alone—and then have to live with what they find. When he isn’t writing, Scott wanders old cemeteries in search of character names and thinks about fictional people as though they have personally inconvenienced him. He lives near Boston with his wife and maintains a healthy distrust of ravens.

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