Flashback Fridays #6

In this week’s look to the past, I focus on the moment I received my first novel in hand. True to the nature of my life, it had a bumpy road getting there (it was a premonition of my future struggles with Amazon), but when it finally arrived, it was something special.

Finishing a book is a triumph, but when it becomes a physical object, it possesses a magic that is hard to convey. Most of my sales come from ebooks, and they are certainly convenient, but there will always be something special about a real, paper book. The smell, the feel of the sheets, the weight- it is a visceral experience, not just a mental one. I fear that at some point, future generations may not know what I’m talking about. Some of my books have not sold a single paperback.

The cover to The Island of Stone has changed four times since, as my skill improved (see the picture above), and I have written many more books over the ensuing years, but that first paperback copy still occupies a special place in my bookcase and heart.

I stopped ordering copies of my books some time ago because I’m not so nervous about how they will turn out, and we are currently trying to downsize for the future. I also have a box of 25 copies of Koen in my basement from Grendel Press that contain a formatting error, and I am not sure what to do with them. But now that I read this post, I may reconsider placing an order. With all the recent changes in my covers, it might be nice to see them all in a line as a trophy of how far I’ve come.

Cheers!


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Published by scottatirrell

Scott Austin Tirrell writes dark fantasy because apparently the real world doesn't contain enough dead people, ruined faiths, and gods with questionable motives. Most of his stories take place in Lucardia, a world with a long memory and a rather serious problem with its dead. Its people have been taught many comforting things about history, religion, power, and what happens when the reaper’s sickle swings. Unfortunately, much of it is wrong. Scott is less interested in heroes than in complicated people who stumble into mysteries they probably should have left alone—and then have to live with what they find. When he isn’t writing, Scott wanders old cemeteries in search of character names and thinks about fictional people as though they have personally inconvenienced him. He lives near Boston with his wife and maintains a healthy distrust of ravens.

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